Ventures

This summer ADDITIVE ADDCITED supports the project TON STEINE ERDEN (CLAY STONES EARTH) that takes place at Art Academy Berlin Weißensee and which is part of the greenlab. Currently, the greenlab deals with the manifold relations between Berlin and Brandenburg, in particular it concentrates on a region in the south-east called Oder-Spree. For a long time the natural resources of this region have been sand, wood, coal and clay – by using these natural resources, countless brickyards around Berlin produced construction materials for the flourishing capital. In view of promoting a sustainable building culture, the TON STEINE ERDEN project would like to once again emphasize those cultural and material resources and attempts to develop suitable and sustainable positions referring to the architectural structures that constitute a space: Ceramic and modular surfaces, tiles, bricks and building blocks of all kinds are under examination and are reconsidered in their manufacturing procedure and design.

“The project will give an introduction into working with ceramic materials and technologies from traditional and manual techniques to industrial ones, and it will deal intensively with the potentials of digital tools associated with design and manufacturing procedures of architectural ceramics. An important module in the project will be ceramic 3D-printing, its tool-free and additive procedure allows easily complex undercuts, coiled structures, and even the realisation of only one item becomes efficient with that technology.”
Prof. Barbara Schmidt

In that context, ADDITIVE ADDICTED is responsible for imparting the whole process of ceramic 3D-printing and we support the students in the planning and execution of their concepts. In May 2017 we began with an intensive workshop that inducted the students into ways of working with a ceramic 3D-printer: They learned more about the process itself and the characteristics of the semi-fluid ceramic paste. We’ve expanded on different strategies of generating data and have explored a wide range of examples to expose the potential as well as the limits of this technique. Further, we gave an well-founded introduction to the slicing-software Repetier Host. Repetier Host is not only the printer’s virtual desktop but it also provides different slicing tools which offer a basis to generate the Gcode and to control the printer’s settings. In the second part, the students started to print their own designs. By doing so, they experienced how they can adapt their digital CAD files according to material and technological properties and they realize that even the post-processing of slicing offers a wide range of creative possibilities. In the workshop we used a non-industrial clay that originally came from a forest in Brandenburg near the little village Sauen. To achieve a printable material, the clay was cleaned and processed in such a manner that it finally had the right properties and consistency. In the following weeks we will continue to support the project with our ceramic 3d-printing expertise. We will help to optimize the ceramic materials and we’ll give support to adapt designs to the restrictions of the printing process.

Authors: Babette Wiezorek & Dawei Yang

Everything that is state-of-the-art technology can not be patented. That means that, as soon as technical innovation has been published, it cannot be legally protected anymore. ‹Shortcut – The Digital Prosthesis› was the outcome of a university project at weißensee academy of art berlin and was presented publicly afterwards. While this led to a quite a few press articles on the one hand, it also meant that patenting was no longer an option – at least in Germany. In the US there’s an important addition to the law: Within the first year (the so-called ‹grace-period›) you’re allowed to file a patent respectively. We decided to make use of this option and filed a US-patent with help of Zimmermann & Partner Berlin. This will hopefully allow us to prohibit copycats and give us a better standing for negotiations with potential partners or clients.

Initiators: David Kaltenbach, Maximilian Mahal, Lucas Rex
More Information: http://digital-prosthesis.de/

It‘s been almost six months since the first ever Design-in-tech Accelerator – DesignFarmBerlin came to life: An initiative supporting designers in placing their product ideas on the market. In times when accelerators in Berlin urge for scale and cash streams our approach can be regarded as kind of odd.

Firstly, we focus on ideas that bridge design and technology. Design is the cradle for innovation and technology is what makes it sparkle. Numerous examples from the industry, AirBnB, Snapchat, Pinterest, prove this approach to work successfully: technology has to be perfected in a meaningful way to become profitable.

Secondly, we offer a very customized program to each of our „farmers“. We connect them with industrial and research partners to broaden their horizon and involve them in a conversation within their industry sector. This way, we create an individual ecosystem for each farmer to eventually sharpen their vision.

Finally, we cultivate the culture of debate. Through this debate, the farmers can shape their product or service idea.

Currently, five ventures are nurtured at the farm: Shortcut, dadamachines, Hilanderia, UX.FTT and Dynamic Fabrics. The three latter ones are run by women working in the area of textiles and fashion.

UX.FTT paves the way in the area of wearables electronics. The founder behind it, Esther Zahn, explores the integration of thin-film sensors into textiles. One of her recent developments is a music garment. The sensing approach, however, can be also applied to control other objects and equipment to create smart environments, known as a smart home or an e-vehicle. As a fashion designer, Esther investigates the aesthetics of arranging electronics in a user-friendly and appealing way.

Hilanderia from Sara Rodriguez is a prototype of a digital yarn spinning machine designed to precisely control and modulate the properties of a yarn e.g. yarn thickness or yarn material combinations. Although the machine is now at a prototype level, the first patterns have been produced. The field of application for this new technique is extremely wide: from fashion design, home textiles to technical textiles. As a next step, Sara strives to demonstrate these new capabilities of „desktop-designed“ fabrics to young fashion design labels in Berlin and to scale the concept for industrial production. Currently, Sara is working on a fashion collection together with a Berlin-based fashion designer, Nathalie Krueger. In a fashion city like Berlin her approach promises to become a huge success.

Ursula Wagner is a textile designer who specializes in industrial weaving technologies. She creates bespoke large-size 3D textiles and flexible solutions for interior architecture. With a sense for innovative material combinations and her technological expertise, she develops sophisticated fabric constructions according to the site-specific design brief. She is now joining her efforts to showcase her Dynamic Fabrics to potential customers. You can admire her works at the permanent collections of Grimmwelt Kassel* and at Audax TextielMuseum Tilburg as well as in her studio in Berlin-Schoeneberg.

On March 8-9th, 2017 DesignFarm organizes the second workshop for new applicants at Fab Lab Berlin. This time, the applicants will have a chance to join us for the Meet&Pitch on Design-in-tech at the Factory Berlin and discover the vibrant start-up scene of Berlin

Feel free to join us on March 8th at 6 pm at the Factory to celebrate the creativity of designers.

Press contact: Anastasia Zagorni, anastasia.zagorni@designfarmberlin.de

*Ursula Wagner & TheGreenEyl Berlin, Installation WORTARBEIT, Grimmwelt Kassel 2015

We’re proud to let you know that Team Shortcut (David Kaltenbach, Lucas Rex and Maximilian Mahal) has been granted a one year EXIST scholarship, starting in June. The financial support and additional Coaching mean that Shortcut will soon be started up as a company officially, which will be an important step towards realizing the ‹Digital Prosthesis›.
Big thanks to weißensee academy of art berlin, primarily to the internal and external coaches of DesignFarmBerlin for the great support! It allowed us to develop business strategies, build a new prototype and file a patent, just to name a few. The support of the Farm also played a key role in applying for EXIST. We’re very happy and are looking forward to the next year.

Initiators: David Kaltenbach, Maximilian Mahal, Lucas Rex
More information: http://digital-prosthesis.de/

dadamachines continues its mission of bridging the analog and digital music worlds.

On December 16, 2016 Johannes Lohbihler gave a talk at creative mornings with a live performance for all interested in new music technologies. Johannes especially emphasized the beauty of analog compositions and how they can enrich the digital sounds. With dadamachines, his aim is to enable the Internet of Music. And the time is about right to make it work.

Listen here his talk in full coverage: https://creativemornings.com/talks/johannes-lohbihler

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Stay tuned with dadamachines and DesignFarmBerlin!:)